Before and after knowing "the man" 's name and separated by "writer" 's block, mid "week" 's flow

Before:
Joseph Kossouf ~
Undid Unisys Eurasia) dialogs drop Unarmed
lineup
Actuarial YoNg flowered


develp daasal Bishop

13:44 4/19/99 483 bytes

writer's block ~
before widow
shovelmetical Rake sretiw Novelist sretiw use
world Dating 1

11:52 4/22/99 466 bytes

Joseph K ~
refusal snag illusion 1 stoop Shoal-drags sleeved
analogs Duval noNstop illusion d-oop daisies)....(etc...)


2:09 4/24/99 1676 bytes

but this much (above)
composed as a demonstration, for "the man",
who looked on over my shoulder
with Vivienne dressed in drag

Somewhere between Everest and Easter Island

fi?..bs rdcorf-Ana
bevr#-neetneteo
ueshuenusl

fruit ulcer. F-fine
bent-neeneteo
ueshuenusl

10:13 9/3/99 1064 bytes
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
From: thewordman@MAC.COM
Subject: meat or sweet?
Date: April 6, 2007 11:07:19 AM PDT
To: WRYTING-L@LISTSERV.WVU.EDU
Reply-To: WRYTING-L@LISTSERV.WVU.EDU

Easter Bunny --
beast or honey?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Chickn Coop Merville

chickn coop merville~
element moon Medina
demon man mstress
element Roar Mena
15:35 4/1/00 591 bytes


No, it's chickn.

Thanks for the memory though Ana Buiges.

I had just returned from Tokyo, where I'd been living on the street a couple months. to an isolated west coast community in the forest with my Ana.

We were all at the ballpark on that particular April Fool Sunday in 2000, and I sat on the porch, chatting/demostrating Ana's behaviour to a beautiful young woman.

When I offered to process her name, the lady said, "No. Put in Chicken coop Merville. I was born there." [Her father was a hippy who'd mucked out the coop and cleaned it up to rent, there being no other accomodations available so imminently]. So I did, but mid scribing, I suggested chicken be spelt chickn, not chiken... or chikan...[dirty old man in Japanese]

Ana spat out something about Islam, first time over, but it was after the second tracing generated "demon man mistress", the woman rose and walked away, silently.

Before I left that afternoon I approached her again, stating, "They don't mean anything. But I tend to believe them"

She was right. It was "chickn".

On 4-Apr-07, at 12:43 AM, Ana Buigues wrote:

it´s not chiken

obsessive history enssewo 12:13 6/20/99 1364 bytes

This file appears rather precognitive
given it was written 6/20/99
obsessive history~
radial-endure
juried listed
sneaked Armada
partial eureka
grossed earshot
morbid enssewo
enssewo~
cuisine erasing Messrs oversea nuisance owessne onetime oruessne (O rue SS ne?)

obsessive history enssewo 12:13 6/20/99 1364 bytes

This file appears rather precognitive
given it was written 6/20/99
obsessive history~
radial-endure
juried listed
sneaked Armada
partial eureka
grossed earshot
morbid enssewo
enssewo~
cuisine erasing Messrs oversea nuisance wessne onetime oruessne (O rue SS ne?)

howl ~ howl 11:20 12/13/98 678 bytes

howl ~
road had head

Alan's input from 12/16/98 found searching Howl

Evidence of a serious nature, found in seraching for examples of Howl.
Note to self from way back then...
Thank you, Alan.
D^

Cock in 21 successive tracings left to right >'kcoc'

This file was processed in response to another poet's complaining of ANOTHER poet's use of the word too much, and couldn't s/he choose another word....? SO, I asked Ana. The remarkable thing about this particular early Ana file is that the words appeared tracing after tracing, successively, without any editing whatsoever. Delivered. Pre-packaged. Spectacles testicles wallet and watch. Out the door... window... portal... portico. Pleasingly plump too.

DiVizio's first ever note with Ana

Searching today (Monday January 15, 2007) in Ana's memory for references to Asbestokan and Hijikatta,
DiVizio came across this file and suddenly recalled that yes, in fact, it is the first note he ever took with Ana I,
an old MP190. It was at Asbestokan, after we'd seen a film of Hijikatta's making. The note was made while listening to Akiko Motofuji, Tatsumi Hijikatta's widow, as she presented her recollections of the beginning of their work/studio and includes DiVizio's thoughts concerning the differences of artistic tradition among cultures. Divizio remembers the eery green glow issuing from Ana's illuminated screen, sitting in the midst of the audience, in the darkened studio.